Articles

Loren, S. (2014). An American Odyssey of Suffering: Aesthetic Strategies in Steve McQueen’s 12 Years a Slave.Anglia : Zeitschrift für englische Philologie, 132(2), 336-351, DOI:10.1515/ang-2014-0033 (full text)

Land, C., Loren, S., & Metelmann, J. (2014). Rogue Logics: Organization in the Grey Zone. Organization Studies,35(2), 233-253, DOI:10.1177/0170840613511927.

Loren, S., & Metelmann, J. (2011). What’s the Matter? Race becomes Res. Journal of Visual Culture, 10(3), 397-405, DOI:10.1177/1470412911419937.

Loren, S. (2008). Self-fashioning, Freedom, and the Problem of His-story: the return of noir. European Journal of American Studies(1), http://ejas.revues.org (full text)

Loren, S. (2005). “The Shifting Desire of the Socio-cultural Big Other”. Carbon – Electronic journal, 1(1), 1.

Loren, S. (2004). “What are the implications of the virtual for the human? An analytical ethics of identity in popculture narratives”. European Journal of American Culture, 23(3), 173-185.

Books

Loren, S. & Metelmann, J. (Eds.) (2015). Melodrama After the Tears: New Perspectives on the Politics of Victimhood. Amsterdam: Amsterdam University Press. (introduction)

Loren, S., & Metelmann, J. (2013). Irritation of Life: The Subversive Melodrama of Michael Haneke, David Lynch and Lars von Trier. Marburg: Schüren. – ISBN 978-3-89472-818-2.

Loren, S. (2005). Our Will and Fates: The Politics of Identity in Contemporary American Fiction and Film, Universität Zürich, PhD Thesis: Universität Zürich.

Volume Contributions

Loren, S (2015). “Tears of Testimony: Glenn Beck and the Conservative Moral Occult.” In Loren, S. & Metelmann, J. (Eds.), Melodrama After the Tears: New Perspectives on the Politics of Victimhood. Amsterdam: Amsterdam University Press. (full text)

Loren, S (2015). “Introduction.” In Loren, S. & Metelmann, J. (Eds.), Melodrama After the Tears: New Perspectives on the Politics of Victimhood. Amsterdam: Amsterdam University Press.

Loren, S (2015). “Introduction to W.J.T. Mitchell’s ‘The Abu Ghraib Archive’.” In Loren, S. & Metelmann, J. (Eds.), Melodrama After the Tears: New Perspectives on the Politics of Victimhood. Amsterdam: Amsterdam University Press. (full text)

Loren, S. & Sinn, C. (2016). “Anstössige Bilder? Medienstrategien der Interkulturalität.” In Schenk, K. (Eds.) Zwischen Kulturen und Medien. Zur medialen Inszenierung von Interkulturalität. Wien: Edition Praesens.

Loren, S. (2012). Feel It! Das Management der Emotionen: Eine Diskussion zwischen Eva Illouz, Linda Williams,Dorthe Staunæs und Chris Steyaert, moderiert von Scott Loren. In Die Macht der Gefühle. Emotionen inManagement, Organisation und Kultur. (pp. 23-56). Berlin: Berlin University Press.

Loren, S. (2012). Die Strategie der Tränen: Glenn Beck und der melodramatische Stil in den USA. In Die Macht derGefühle. Emotionen in Management, Organisation und Kultur (pp. 127-144). Berlin: Berlin University Press.

Metelmann, J., & Loren, S. (2012). Moi, le vilain: CACHÉ et la rhétorique mélodramatique de la vilenie. InFragments du monde. Retour sur l’oeuvre de Michael Haneke (pp. 179-196). Paris: Le Bord de l’Eau. – ISBN 978-2-35687-209-8.

Loren, S. (2012). “Posthumanist Panic Cinema: Defining a Genre.” In Straub, J. (Ed) Paradoxes of authenticity: studies on a critical concept (pp. 159-184). Bielefeld: Transcript. – ISBN 978-3-8376-1819-8. (full text)

Loren, S. (2011). Mutating Masculinity: Re-visions of Gender and Violence in the Cinema of David Cronenberg. In Männlichkeiten Denken: Aktuelle Perspektiven der kulturwissenschaftlichen Masculinity Studies (pp. 151-170). Bielefeld: Transkript. – ISBN 978-3-8376-1720-7. (full text)

Loren, S., & Metelmann, J. (2010). Auteurism and the Aesthetics of Irritation: Haneke, von Trier and Lynch. InOrnella, A. D. (Eds.), Fascinatingly Disturbing: interdisciplinary perspectives on Michael Haneke’s Cinema (pp. 196-216). Eugene, Oregon: Pickwick Publications. – ISBN 978-1-60608-624-7.

Loren, S. (2008). Dead Fathers and Other Detours: Ulmer’s Noir. In Edgar G. Ulmer: Detour on Poverty Row (pp.61-96). Plymouth UK: Lexington Books. – ISBN 978-0-7391-2567-0. (full text)

Loren, S. (2008). Mechanical Humanity, or How I Learned to Stop Worrying and Love the Android: the PosthumanSubject in 2001: A Space Odyssey and Artificial Intelligence: A.I.. In Stanley Kubrick: Essays on His Films andLegacy (pp. 211-231). North Carolina: McFarland and Company. – ISBN 0786432977.

Loren, S. (2007). “Out of the Past: Freedom, Film Noir and the American Dream’s Myth of Reinvention”. InAmerican Dreams: Comparative Dialogues in U.S. Studies (pp. 370-385). Amersham: Cambridge Scholars Press. -ISBN 9781847180827.